Members Exclusive Content
- Power of values in creating a light effect - Oil Demo 1/6 (14:43)
- Drawing and block-in - Oil Demo 2/6 (6:25)
- Setting up the full value range - Oil Demo 3/6 (8:23)
- Using gradients and tonal designs to create a glow effect - Oil Demo 4/6 (20:05)
- Finishing up - Oil Demo 5/6 (16:42)
- More tips and final thoughts - Oil Demo 6/6 (17:47)
- Reference & Final Painting
- How to apply greys without getting muddy - Photoshop Presentation 1/4 (10:00)
- Studying greys in classical and contemporary paintings - Photoshop Presentation 2/4 (13:49)
- Don't get tricked by colours and effects of "Simultaneous Contrast" - Photoshop Presentation 3/4 (12:32)
- Relative vs. Absolute? - Photoshop Presentation 4/4 (7:31)
- Painting Examples
- Form 1 - How do light and shadow interact with each other? - 8/21/2020 (93:03)
- Form 2 - How to effectively sculpt facial features - 8/28/2020 (90:29)
- Form 3 - Painting trees like sculptures or silhouettes - 9/1/2020 (89:09)
- Form 4 - How to translate from value to colour - 9/8/2020 (91:14)
- Light 1 - "How to use value studies" 9/17/2020 (78:25)
- Light 2 - "Using chroma and value to create contrast" 9/17/2020 (90:35)
- Light 3 - "Painting a corgi with more drama" 10/4/2020 (91:22)
- Light 4 - "Impactful light in portraiture" 10/11/2020 (91:08)
- Edge 1 - "Hard vs. Soft" 10/18/2020 (80:13)
- Edge 2 - "Painterly approach to edge handling" 10/25/2020 (90:38)
- Edge 3 - "How to paint shiny drapery" 11/01/2020 (89:38)
- Edge 4 - "What to look for in landscapes" 11/11/2020 (80:30)
- Colour 1 - "A portrait in neutrals/greys" 11/15/2020 (89:56)
- Colour 2 - "How to effectively mix colour/grey in a landscape painting" 11/22/2020 (85:18)
- Colour 3 - "How to harmonize colours with colour sequences" 11/29/2020 (77:13)
- Colour 4 - "Painting a portrait in a cool colour scheme" 12/5/2020 (83:04)
- Colour 5 - "Chromatic and warm portrait" 12/13/2020 (78:06)
- Classical Composition 1 - "Painting Baby Yoda" 12/20/2020 (87:24)
- Classical Composition 2 - "Painting a pet portrait in classical lighting" 12/27/2020 (93:48)
- Shape 1 - "How to add more 'finesse' to your work" 1/3/2020 (93:38)
- Shape 2 - "First painting in Japan" 1/10/2020 (90:35)
- Shape 3 - "Painting a vending machine in gouache" 1/17/2020 (89:31)
- Shape 4 - "Learn how to create more dimensional forms" 1/21/2020 (87:18)
- Idea Generation 1 - "How you can create your own unique paint sketches."1/31/2021 (79:44)
- Idea Generation 2 - "Creating a strong painting reference in Photoshop."2/9/2021 (80:17)
- Idea Generation 3 - "How to bring your imagination into your finished work."2/16/2021 (87:12)
- Imaginative Realism 1 - "Turning an imaginary drawing into a believable portrait." 3/2/2021 (89:17)
- Value and Shape 1- "How to use 2 values to get that impact!"(1/2) 3/9/2021 (34:23)
- Value and Shape 2 - "How to use 2 values to get that impact!"(2/2) 3/14/2021 (67:02)
- Value and Shape 3 - "Blocky and expressive shapes" 3/15/2021 (93:15)
- Value and Shape 4 - "Applying value an shape concepts to a cityscape painting" 3/22/2021 (91:40)
- Paint Application 1 - "How to use a palette knife to become more confident applying paint" 3/29/2021 (79:40)
- Paint Application 2 - "Getting that finesse in your work." 4/5/2021 (85:25)
- Study for a new painting - "Blue study" 4/12/2021 (84:41)
- Texture & Materials 1 - "Painting a fuzzy coat" 4/19/2021 (86:14)
- Study for a new painting 2 - "Golden study" 4/26/2021 (85:49)
- Study for a new painting 3 - "Storefront Light" 5/5/2021 (92:22)
- Light 5 - "GLOW Effect" 5/12/2021 (80:39)
- Light 6 -"Warm vs. Cool to create harmony" 5/19/2021 (71:40)
- Light 7 -"Activate your FOCAL POINT" 5/26/2021 (83:44)
- Texture 1 - "Painting a shiny object aka. DOORKNOB" 6/2/2021 (86:44)
- Texture 2 - "Shiny ceramic" 6/9/2021 (84:17)
- Texture 3 - "Glass? Transparent?" 6/13/2021 (86:54)
- Oil Demo 1/3 - "Bring your painting to a higher level of finesse" - 7/4/2021 (85:46)
- Oil Demo 2/3 - "Bring your painting to a higher level of finesse" (80:50)
- Oil Demo 3/3 - "Bring your painting to a higher level of finesse" (89:15)
- Full Portrait Demo 1/2 - "Get your alla prima portrait done in 3 hours" 7/25/2021 (87:44)
- Full Portrait Demo 2/2 - "Get your alla prima portrait done in 3 hours" 7/25/2021 (84:49)
- Cityscape Painting - "Right way to make a quick study in your sketchbook." 8/4/2021 (97:03)
- Painting Analysis - "How to study masters and make your own powerful reference" 8/23/2021 (67:57)
- Cityscape Painting - "Glow Effect Again" 8/30/2021 (86:58)
- Unusual Colour Portrait 1/2 - "Focus on shape and value!" 9/13/2021 (87:35)
- Unusual Colour Portrait 2/2 - "Focus on shape and value!" 9/13/2021 (87:25)
- Individual Feedback Session 1 (Digital paint-overs) 9/20/2021 (84:50)
- Individual Feedback Session 2 (Digital paint-overs) 9/28/2021 (80:13)
- Painting a Train Crossing in Gouache 10/12/2021 (76:26)
- Fully Finishing a Painting for Train Crossing Part 1 10/18/2021 (89:02)
- Fully Finishing a Painting for Train Crossing Part 2 10/18/2021 (85:45)
- Individual Feedback Session 1 - 11/15/2021 (99:18)
- Individual Feedback Session 2 - 11/15/2021 (62:30)
- Storefront GLOW (Acrylic painting demo) Pt1 - 11/29/2021 (70:02)
- Storefront GLOW (Acrylic painting demo) Pt2 - 11/29/2021 (81:58)
- Individual Feedback Session - 12/6/2021 (66:45)
- Reference Making of a Night Scene - 12/20/2021 (74:19)
- Reference Making "Blue Vending Machine" 1/10/2022 (68:13)
- Painting of "Phone Booth" (Acrylic Demo Part I) 1/17/2022 (94:30)
- Painting of "Phone Booth" (Acrylic Demo Part II) 1/17/2022 (82:11)
- Painting of "Red Building" (Acrylic Demo Part I) 1/30/2022 (90:13)
- Painting of "Red Building" (Acrylic Demo Part II) 1/30/2022 (85:42)
- Painting on the artist's actual piece Part I 2/16/2022 (92:02)
- Painting on the artist's actual piece Part II 2/16/2022 (87:00)
- Feedback Session 3/1/2022 (70:31)
- Phonebooth Demo Part I 3/7/2022 (117:21)
- Phonebooth Demo Part II 3/7/2022 (55:02)
- Flower Shop Demo Part I 3/8/2022 (88:05)
- Flower Shop Demo Part II 3/8/2022 (79:05)
- Portrait Demo Part I 4/11/2022 (91:17)
- Portrait Demo Part II 4/11/2022 (87:16)
- Portrait Reference 4/17/2022 (60:28)
- Vending Machine in Daylight Part I 5/2/2022 (83:43)
- Vending Machine in Daylight Part II 5/2/2022 (94:29)
- Painting a Focal Area Part I 5/16/2022 (93:14)
- Painting a Focal Area Part II 5/16/2022 (85:38)
- Cityscape with a Truck 6/13/2022 (66:26)
- Violet Cityscape Part I (Fully rendered painting) 6/20/2022 (89:55)
- Violet Cityscape Part II (Fully rendered painting) 6/20/2022 (84:36)
Demo Sneak Peek
Frequently Asked Questions
When can I access these courses?
You will have full access to all of the contents as soon as you join the community.
How long do I have access to the lessons?
Access to membership contents ends when your membership ends. Access to the Morimoto Studio Community ends one week after you cancel your membership.
Will my subscription automatically renew?
All subscriptions automatically renew until you cancel them. Teachable does not send a notice when they renew each month.
Testimonials

Clif Nay
"Through Keita's teaching, I've been able to build a proper painting foundation, filling in gaps in some practical fundamental knowledge in my own personal study. How to render convincing three-dimensional form, principles of light and applying it to colour, and approaches to streamline the painting process were some important things I've learned. But perhaps more importantly Keita was able to illuminate for me how to apply these things to broader concepts involving composition and design when it comes to picture making, creating a more holistic basis for my practice. Keita has been generous in his teaching, sharing his studies, stories, and an openness when addressing questions posed by students. I would wholeheartedly recommend spending some time with Keita for anyone who wishes to build upon their painting practice."

Caroline Ji
"Keita broke down classical painting into logical, easy to understand procedures and principles with his expertise and knowledge. Painting started to make more sense, and I was starting to see what made a painting successful instead of "paint and hope for the best." Through Keita's guidance and teaching, I discovered new ways of understanding painting from idea to technique, and slowly finding my own sensitivities about painting."

Quinn Henderson
"I had been painting and making art for the better part of my early 20's having no real understanding of how to carry myself professionally as an artist. I knew that there wasn't another path for me and I also knew that I wasn't going to be able to figure it all out on my own. I had always rejected the idea of putting myself into debt to go to school, and was consistently on the lookout for someone who would be willing to teach me one on one. Growing up studying old masters, I just wanted to learn how to paint like they did without the ostentatious attitude that permeates the modern art world. Meeting and studying with Keita has been exactly what I always envisioned my education should look like. He provided me with unbiased opinions and genuinely was just interested in helping me grow and forge my own path. I cannot emphasize enough how valuable his education has been for me and my future as a painter, and how comfortable I've felt coming to him with all of my insecurities. I would strongly recommend learning from him in whatever capacity you can afford."

Salima Black
"When I was an art student I thought that I could never paint well according to my technical aspirations, I took workshops with many teachers in Lima but I always felt that something was missing and that it didn’t convince me. Keita Morimoto is not only a good painter, but is also a good inspiration to me. He helped me a lot to understand painting in a practical way, he broke too many myths about the complexity of realism and I am too grateful for the results and the 360 ° turn that my work has given on the handling of volume, color, and on all the logical understanding at the time of executing each painting."